Posts tonen met het label Engelse poëzie. Alle posts tonen
Posts tonen met het label Engelse poëzie. Alle posts tonen

donderdag 30 december 2010

BBC Radio 3: Poëzie en muziek wisselen elkaar af

Ook in de aflevering van het BBC Radio 3-programma Words and music die op vrijdag 31 december tussen 18:00 uur en 19:15 uur wordt uitgezonden, wisselen poëzie en muziek elkaar weer af. Vijf schrijvers — twee dames en drie heren — zijn vertegenwoordigd met poëtische voorbeelden uit hun oeuvre:

Mary Wollstonecraft Shelley,
portret u
it 1840 geschilderd

door Richard Rothwell
(1800-1868).
Mary Shelley (1797-1851)
A.E. Housman (1859-1936)
Edward Thomas (1878-1917)

Anne Brontë (1820-1849)
Percy Bysshe Shelley (1792-1822)

De componisten die 'tussendoor' aan bod komen, zijn George Frederic Haendel (1685-1759), Papa Bach (1685-1750), Igor Stravinski (1882-1971) en Benjamin Britten (1913-1976).

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Zie voor Twee Gedichten van Edward Thomas — de minst bekende van de namen in het bovenstaande lijstje van auteurs — onze bijdrage van heden op de zustersite Tempel der Dichtkunst.

dinsdag 3 augustus 2010

Twee gedichten van Tennyson nader beschouwd

Dinsdagnacht en donderdagnacht
In The essay, een in principe dagelijks programma-onderdeel van BBC Radio 3 dat gewoonlijk 's avonds laat, tussen 00:00 uur en 00:15 uur onze tijd — in (onder meer) Engeland is het dan nog een uur vroeger — is deze week twee keer een tekst van Alfred, Lord Tennyson (1809-1892) het onderwerp van aandacht. Dat begint in de nacht van dinsdag 3 augustus op woensdag 4 augustus als Gwyneth Lewis zich over het gedicht The Kraken. In de nacht van donderdag 5 op vrijdag 6 augustus wordt aandacht besteed aan de liedtekst Tears, idle tears door Kit Wright.De poëzie van Tennyson, die de functie van poet laureate (dichter des vaderlands) heeft bekleed, is in Engeland nog altijd zeer populair. Taalkundige bijzonderheid van zijn werk is dat het, direct na William Shakespeare, het meest wordt geciteerd in the Oxford English Dictionary (OED).
De teksten in kwestie zijn te vinden in een bijdrage van heden op onze zustersite Tempel der Dichtkunst.

woensdag 18 februari 2009

Twee gedichten van William Butler Yeats (1865-1939) — Nobelprijs Literatuur 1923

THE ROSE TREE

'O WORDS are lightly spoken,'
Said Pearse to Conolly,
'Maybe a breath of politic words
Has withered our Rose Tree;
Or maybe but a wind that blows
Across the bitter sea.'

'It needs to be but watered,'
James Conolly replied,
'To make the green come out again
And spread on every side,
And shake the blossom from the bad
To be the garden's pride.'

'But where can we draw water,'
Said Pearse to Conolly,
'When all the wells are parched away?
O plain as plain can be
There's nothing but our own red blood
Can make a right Rose Tree.'

Uit: Michael Robartes and the Dancer (1921)




















THE FOOL BY THE ROADSIDE

WHEN all works that have
From cradle run to grave
From grave to cradle run instead;
When thoughts that a fool
Has wound upon a spool
Are but loose thread, are but loose thread;

When cradle and spool are past
And I mere shade at last
Coagulate of stuff
Transparent like the wind,
I think that I may find
A faithful love, a faithful love.

WILLIAM BUTLER YEATS (1865-1939)
[Nobelprijs Literatuur 1923]
Uit: The Tower (1928)

donderdag 29 januari 2009

Twee gedichten van Robert Burns (1759-1796)

REMORSE — A FRAGMENT

OF all the numerous ills that hurt our peace—
That press the soul, or wring the mind with anguish,
Beyond comparison the worst are those
By our own folly, or our guilt brought on:
In ev'ry other circumstance, the mind
Has this to say, 'it was no deed of mine:'
But, when to all the evil of misfortune
This sting is added, 'blame thy foolish self!'
Or worser far, the pangs of keen remorse,
The torturing, gnawing consciousness of guilt—
Of guilt, perhaps, where we've involved others,
The young, the innocent, who fondly lov'd us;
Nay more, that very love their cause of ruin!
O burning hell! in all thy store of torments
There's not a keener lash!
lives there a man so firm, who, whilst his heart
Feels all the bitter horrors of his crime,
Can reason down its agonizing throbs;
And, after proper purpose of amendment,
Can firmly force his jarring thoughts of peace?
O happy, happy, enviabl man!
O glorious magnanimity of soul!




PEGASUS AT WANLOCKHEAD

WITH Pegasus upon a day,
Apollo weary flying,
Through frosty hills the journey lay,
On foot the way was plying.

Poor slipshod giddy Pegasus
Was but a sorry walker;
To Vulcan and Apollo goes
To get a frosty caulker.

Obliging Vulcan fell to work,
There by his coat and bonnet,
And did Sol's business in a crack;
Sol paid him with a sonnet.

Ye Vulcan's sons of Wanlockhead,
Pity my sad disaster;
My Pegasus is poorly shod,
I'll pay you like my master.

(To John Taylor, Ramage's, 3 o' clock.)

ROBERT BURNS (1759-1796)

zondag 28 december 2008

William Barnes (1801-1866) — A Winter Night


A Winter Night

IT was a chilly winter's night;
And frost was glittering on the ground,
And evening stars were twinkling bright;
And from the gloomy plain around
Came no sound,
But where, within the wood-girt tower,
The churchbell slowly struck the hour;

As if that all of human birth
Had risen to the final day,
And soaring from the worn-out earth
Were called in hurry and dismay
Far away;
And I alone of all mankind
Were left in loneliness behind.

* * * * *
Meer over deze dichter is te vinden op de website van de William Barnes Society.

donderdag 25 december 2008

Twee gedichten van Emily Brontë (1818-1848)

The Visionary

SILENT is the House: all are laid asleep:
One alone looks out o'er the snow-wreaths deep,
Watching every cloud, dreading every breeze
That whirls the wildering drift, and bends the groaning trees

Cheerful is the hearth, soft the matted floor;
Not one shivering gust creeps through pane or door;
The little lamp burns straight, its rays shoot strong and far:
I trim it well, to be the wanderer's guiding-star.

Frown, my haughty sire! chide my angry dame;
Set yor slaves to spy, threaten me with shame:
But neither sire nor dame, nor prying serf shall know,
What angel nightly tracks that waste of frozen snow.

What I love shall come like visitant of air,
Safe in secret power from lurking human snare;
What loves me, no word of mine shall e'er betray,
Though for faith unstained, my life must forfeit pay.

Burn then, little lamp, glimmer straight and clear —
Hush, a rustling wing stirs, methinks the air;
He for whom I wait, thus ever comes to me;
Strange Power, I trust thy might, trust thou, my constancy.

* * * * * * * * * * * * * * * * * *
Last Lines

'The following are the last lines my sister Emily ever wrote.'
(Charlotte Brontë)


No coward soul is mine
No trembler in the world's storm-troubles sphere:
I see Heavens Glory shine,
And faith shines equal, arming me from fear.

O God within my breast,
Almighty, ever-present Deity!
Life that in me has rest,
As I—undying Life—have power in thee!

Vain are the thousand creeds
That move men's hearts: utterly vain:
Worthless as withered weeds,
Or idlest froth amid the boundless main,

To waken doubt in one
Hiding so fast by thine infinity;
So surely anchored on
The steadfast rock of immortality.

With wide-embracing love
Thy spirit animates eternal years,
Pervades and broods above,
Changes, sustains, dissolves, creates and rears.

Though earth and man were gone,
And suns and universes ceased to be,
And thou were left alone,
Every existence would exist in thee.

There is not room for Death,
Nor atom that his might could render void:
Thou—thou art Being and Breath,
And what thou art may never be destroyed.

dinsdag 23 december 2008

Twee gedichten van WIlliam Blake

To the Muses

WHETHER on Ida's shady brow,
Or in the chambers of the East,
The chambers of the sun, that now
From ancient melody has ceased;

Whether in Heaven ye wander fair,
Or the green corners of the earth,
Or the blue regions of the air,
Where the melodious winds have birth;

Whether on crystal rocks ye rove,
Beneath the bosom of the sea
Wandering in many a coral grove,
Fair Nine, forsaking Poetry!

How have you left the ancient love
That bards of old enjoyed in you!
The languid strings do scarely move!
The sound is forced, the notes are few!

* * * * * * * * * * * * * * * * *

Hear the Voice of the Bard

HEAR the voice of the Bard
Who present, past, and future sees;
Whose ears have heard
The Holy Word
That walked among the ancient trees,

Calling the làpsed soul,
And weeping in the evening dew;
That might control
The starry pole,
And fallen, fallen light renew!

'O Earth, O Earth, return!
Arise from out the dewy grass;
Niht is worn,
And the morn
Rises from the slumberous mass.

Turn away no more;
Why wilt thou turn away?
The starry floor,
The watery shore,
Is given thee till the break of day.'

donderdag 19 juni 2008

Twee gedichten van de toenmalige hofdichter Alfred Lord Eccentric Tennyson (1809-1892)

THE POET'S SONG

THE rain had fallen, the Poet arose,
He pass'd by the town and out of the street,
A light wind blew from the gates of the sun,
And waves of shadow went over the wheat,
And he sat him down in a lonely place,
And chanted a melody loud and sweet,
That made the wild-swan pause in her cloud,
And the lark drop down at his feet.

The swallow stopt as he hunted the bee,
The snake slipt under a spray,
The wild hawk stood with the down on his beak,
And stared, with his fot on the prey,
And the nightingale thought, I have sung many songs
But never a one so gay,
For he sings of what the world will be
When the years have died away.'

(First published in 1842.)

* * * * * *

THE LETTERS

I
STILL on the tower stood the vane,
A black yew gloom'd the stagnant air,
I peer'd athwart the chancel pane
And saw the altar cold and bare.
A clog of lead was round my feet,
A band of pain across my brow;
'Cld altar, eaven and earth shall meet
Before you hear my marriage vow.'

II
I turn'd and humm'd a bitter song
That mocked the wholesome human heart,
And when we met in wrath and wrong,
We met, but only meant to part.
Full cold my greeting was and dry;
She faintly smiled, she hardly moved;
I saw with half-unconscious eye
She wore the colors I approved.

III
She took the little ivory chest,
With half a sigh she turn'd the key,
Then raised her hand with lips comprest,
And gave my letters back to me.
And gave the trinkets and the rings,
My gifts, when gifts of mine could please;
As looks a father on the things
Of his dead son, I look'd on these.

IV
She told me all her friends had said;
I raged against the public liar;
She talk'd as if her love were dead.
But in my words were seeds of fire.
'No more of love;your sex is known:
I never will be twice deceived.
Henceforth I trust the man alone,
The woman cannot be believed.

V
'Thro' slander, meanest spawn of Hell
(And woman's slander is the worst),
And you, whom once I loved so well,
Thro' you, my life will be accurst.'
I spoke wth heart, and heat and force,
Like torrents from a mountain source
We rush'd into each other's arms.

VI
We parted: sweetly gleam'd the stars,
And sweet the vapour-braided blue,
Low breezes fann'd the belfry bars,
As homeward by the church I drew.
The very graves appear'd to smile,
So fresh they rose in shadow'd swells;
'Dark porch,' I said, 'and silent aisle,
There comes a sound of marriage bells.'

(First published in 1855.)
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NB: Zie ook het artikel op onze zustersite Tempel van het Fin de siècle over de Engelse schilder John William Waterhouse (1849-1917) met daarin een verwijzing naar, en tekst van, Alfred Tennyson.

zondag 13 januari 2008

Ode to Gaia — De toestand van onze planeet in de reeks Words and Music, zondag op BBC Radio 3

Jamie Gover en Sian Thomas lezen op zondag 13 januari tussen 23:15 uur en 01:00 uur prozateksten en poëzie met betrekking tot de toestand van onze planeet, afgewisseld met muziek van diverse, zeer verschillende, maar allen bijna even beroemde componisten. De namen van Schubert en Mahler, maar ook die van Peter Maxwell Davies en John Cage wisselen Debussy en Harrison Birtwistle, alsmede tal van anderen af.
Onder de titel Ode to Gaia klinkt die muziek tussen gesproken teksten uit de laatste eeuwen: William Wordsworth, Emily Dickinson en vele anderen, tot en met Wystan Hugh Auden en Philip Larkin. De meeste namen van deze schrijvers behoren ook tot de top der bekende pennenvoerders, al zal niet iedereen allen kennen, maar dat geldt eveneens voor de muziekmeesters, die in deze ruim honderd minuten aan bod komen.
Voor een exact overzicht van alle gesproken teksten en gespeelde muziek kan men terecht op de website van dit programma.
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Afbeeldingen
1. Jamie Glover.
2. Deel van de voorzijde van het stofomslag van de gebonden Faber&Faber-editie met Philip Larkins poëzie.